Category: Musicians


Stephanie Kabanyana, photo by Yacek.

Following on from a degree in Music Composition and subsequent studies in Arts Education and Administration, Stéphanie is now the Director of Art Kabanyana.
Originally born from a desire to assist, develop and promote young emerging artists who are impeded by challenging officialdom and administration, Art Kabanyana has in time become the neurocentre for Stéphanie’s many hats: A Manager in Production, Project, Arts Administration and School Programs, to Producer, Sound Designer, Performance Artist and Composer. The company focusses on projects engaging in multicultural and community arts and development, new music, and indigenous music education. 
Recently, Stéphanie has worked with Creative Original Music Adelaide, Musica Viva Ménage, Arena Theatre Company, Next Wave, The Collingwood Underground Arts Park, Richmond Housing Estate Moon Lantern Festival, and The Substation.
Currently, Stéphanie is focussing her energy into being the School Programs Manager at Music Outback Foundation, as well as collaborating with Miranda Hill in 3 Shades Black New Music Ensemble and co-founding Melbourne’s newest community development organisation, Collaborative Cultures.
Stephanie has created a score working with Caitlyn Murphy.
Caitlyn is a recent graduate of Griffith University’s Bachelor of Multimedia, majoring in Film and TV Production. Caitlyn’s most recent projects include working with Brisbane’s Anti Poverty Week Campaign, Link Up’s touring exhibition Sustaining Connections, and Music Outback Foundation’s 2011 MOBFEST Tanami Festival. Caitlyn currently works with Link Up Queensland in the Media and Multimedia Team.

Alisa Willis

New Zealand flutist Alisa Willis is an active freelancer in NZ and Australia with a long-held interest in new music and free improvisation. Having studied in the USA, Germany and NZ with John Wion, Janet Arms, Robert Aitken and Uwe Grodd, she has performed with the new music ensembles Karlheinz Company, VorEcho, Chronophonie and Aleantoric 5. Alisa performs regularly with the New Zealand Symphony and Auckland Philharmonia Orchestras and has just finished touring Australia with OzOpera. She loves words, spoonerisms and puns.

Bettina Crimmins

Bettina’s performing habits suggest she’s leading a double life: For the last few years she has been thoroughly enjoying travelling in order to play with the Queensland, Tasmanian, Adelaide, Christchurch and Singapore Symphony Orchestras as well as Orchestra Victoria as an orchestral oboist.

What many might not know about is her passion and obsession for New Music. While living in Germany, Bettina performed with regularly with new music ensembles including Ensemble Modern and ensemble chronophonie in many of the world’s finest concert houses, including the Lincoln Centre, Barbican Centre and Konzerthaus Berlin.

Bettina studied in Germany with renowned oboists Heinz Holliger and Hans Elhorst with the assistance of a German Government scholarship. Prior to this she completed a B.Mus.(Hons) under tutelage of David Nuttall. She is hoping the thesis she recently submitted is good enough to receive a Master of Music which was undertaken with the supervision of Eve Newsome and Dr. Stephen Emmerson.

Bettina is also a highly experienced and dedicated teacher and loves introducing her students (gently) to the world of experimental music.

Oscar Garrido de la Rosa

Óscar complemented his classical musical education in Spain with performances as bass guitarist in various rock bands.

In 1999 he continued bassoon and composition studies in Germany and performed with numerous ensembles, including Ensemble SurPlus and Basel Sinfonietta. He was a founding member of new music group “ensemble chronophonie”.

His compositions have been performed by duo contour, ensemble recherche and the Tiroler Ensemble fur Neue Musik, among others.

Since moving to Australia in 2006 Óscar has been performing regularly with Orchestra Victoria, the Melbourne, Queensland, Tasmanian and Adelaide Symphony Orchestras, Melbourne Chamber Orchestra, Camerata of St. John’s and Clocked Out. He is also a sought after teacher and he tutors at the USQ McGregor Summer School.

 

Ed Ferris

Musician, composer, actor and author. Ed Ferris is versatility. After completing a Bachelor of Music, majoring in clarinet performance, in 2009, Ed is now completing a Bachelor of Creative Arts at the University of Melbourne.

Ed is a founding member of the ‘Tea-tree-oh’ trio; exponents of contemporary Australian compositions and has given many world premier performances with the group.

Former Principal Clarinet with the Royal Melbourne Philharmonic Orchestra, Ed now divides his time between teaching, playing with his gypsy-folk band ‘Eyal & the Skeleton Crew’ and writing.

In 2012, Ed is hoping to continue clarinet studies at home or abroad and to release his first short story collection ‘ Cat and Mouse’ through University of Melbourne press.

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Image by Sarah Walker.

Hi, My name’s Miranda and I’m the founder and artistic director of 3 Shades Black.

I’m a classically trained double bassist, musician, producer, and educator. My performance interests move from historically informed period performance through to improvisation, and I am passionate about bringing experimental musical concepts to a broader audience, and integrating improvisation and experimentation into music education.  Increasingly, my work includes social justice and activism; through creating music for protests, to community music direction, and working with diverse members of our community.

Aside from 3 Shades, I am Musical Director of Riff Raff Radical Marching Band;  led the street bands for Serenading Adela, and was co-director with Jane York of the Sing4equality project, which culminated in a 20,000 strong choir singing for marriage equality. I’m also one half of: “Octave Pussy” electro-acoustic drum and bass duo with Nat Grant; the artistic collaboration Fine Fine Small Mountain, who in 2015 spent 7 months living and working in rural China, and toured east coast Australia in 2016;  and with Leah Scholes: The Flying Tapirs, the tastiest theatre-music duo you’ve ever met. I am a core member of BOLT ensemble, Scottish Baroque group the Evergreen ensemble, Genesis Baroque, and The Adam Simmons Creative Music Ensemble. In non musical spheres: I keep the hotel room blog “Why won’t the windows open?” and a highlight of 2017 was playing a “lesbian avenger” in the Taylor Mac ’24 hour decade history of popular music’ at the Melbourne Festival!

 
As a double bassist, I earn my keep freelancing in groups such as the Melbourne and Adelaide Symphony, Orchestra Victoria, Opera Australia regional touring Orchestra, Australian Romantic Classical Orchestra, Arcko Symphonic Ensemble, Melbourne Baroque Orchestra, Australian Brandenburg Orchestra, and any ensemble doing suitably amusing projects. I teach at ‘Crashendo’ el sistema string program in Laverton with Erica Rasmussen, as well as a studio of private students.

I studied at VCASS, the VCA, the University of Michigan, Ann Arbor, Michigan; and the Hartt school of music in Hartford, Connecticut, with teachers including Steve Reeves, Diana Gannett, and Robert Black.

My interests have always veered towards the experimental and fun. Steve Rush, Professor at UofM taught me about bringing laughter to classical performances, and the new set of challenges that arise when you mix artistic genres with a sense of humour and levity.  3 Shades Black is dedicated to making experimental music and performance accessible and transparent to a new audience. Taking high-falutin’ artsy concepts and framing them so everyone can appreciate how awesome they are.

Not such a big ask, surely.

Photo by Timothy Arch

Dan Richardson is a versatile freelance percussionist based in Melbourne, where he studied classical percussion at the Victorian College of the Arts, and drum kit at NMIT. He has performed in orchestras, musicals, operas, ballets, rock bands, big bands, Persian pop bands, stadiums, pubs, barns, tents, and open fields, and may well do any of them again – call him.

His playing can be heard on recorded releases from Syzygy Ensemble, Anthony Pateras, Astra Chamber Music Society, Ruth Lindsey, Anja and Zlatna, and (tiny snippets of) Lloyd Webber.
Dan once majored in atmospheric sciences, which makes him doubly qualified to perform items such as the rain-stick, the thunder-sheet, and the wind-machine. Seriously, call him.

This is Dan’s fifth time around at Homophonic. Or fourth. He remembers that he has two children under five, but not much else.

Aviva Endean

Aviva Endean is a clarinetist and bass-clarinettist based in Melbourne who works in a wide variety of musical styles and performance contexts. Her major projects currently include Mamushka, a five piece instrumental group who perform Aviva’s original compositions, Melbourne’s pioneer Gypsy-death-core band The Barons of Tang who toured to the USA and New Zealand this year and Quiver, a new music ensemble which she co-directs who performs new and obscure contemporary art music.

Aviva completed her study at the Victorian College of the Arts under the tutelage of Robert Schubert, Richard Haynes, Julia Stoppa and Adam Simmons. During her years of study there she was awarded numerous awards including the Atheneum prize for chamber music with both the Prokofiev Quintet and Quiver new music ensemble, the Friends of the VCA award and the Lionel Gell Merit award.

Aviva used this travelling scholarship in Canada to pursue study in contemporary performance and creative improvisation at McGill University and the Vancouver Creative Music Institute with Francois Houle, Evan Parker and Barry Guy.

She was recently awarded the Willem Van Otterloo memorial award and an Australia Council Art Start grant, which enabled her to take part in the Bang on a Can Summer Music Institute and to undertake further private study with bass clarinet virtuosi in Europe including, Harry Spaarnay, Fie Schoeten, Carl Rosman, Laura Carmicheal and Stump/Lindshalm duo.