Tag Archive: graphic scores


Paul uses a mixture of traditional and digital techniques to create both sound and visual compositions. His music has been reviewed and featured in music magazines throughout Europe, Australia and Japan including ‘The Wire’ magazine. He has performed as a solo artist throughout the UK (as Reverbaphon) and in collaboration (with Box, Novus) . Now living in Auckland, he is a regular participant in the improvising collective Vitamin S, the percussion ensemble ‘fritterhead’ and is a founding member of ‘Plastic Sheep’.

Celeste Oram is an Auckland-based composer, flautist, singer, actor, and director. Her compositions have been performed, recorded and nationally broadcast by the New Zealand Symphony Orchestra, the Auckland Philharmonia Orchestra, and the Intrepid Music Project. This year she will be creating a new work for the Song Company, a Sydney-based vocal ensemble. Celeste has a particular interest in composing for theatre: in May 2011, her chamber opera The Electrical Eclipse was premiered at the University of Auckland, and she has scored songs and incidental music for productions ranging from Euripidean tragicomedy to German-language theatre to various Shakespeare plays. In 2012 she completed a BMus(Hons)BA with first-class honours at the University of Auckland, where her recognitions included Douglas Lilburn prizes in composition and performance, and the Douglas Mews composition prize.

3 Shades Black presents Moving Scores as part of the Auckland Fringe.

Friday 22nd of February,

8pm, Mt Eden Village Community Hall.

Cnr Mt Eden Rd and Ngauruhoe St

Entry by Koha.

We will be performing new scores by New Zealand artists, Julian Maher, Celeste Oram, and Paul Smith, alongside works from Australian composers and film makers.

Image

Moving Scores Beijing. Mao Live House.

Performers:

Miranda Hill, Double Bass,

Alisa Willis, Flute,

Yvette Audain, Saxophone,

Paul Smith, Percussion,

Michael Weiss, Cello,

Charmian Keay, Violin,

Sophia Acheson, Viola,

Helen Acheson, Voice,

Donald Nicholls, Clarinet,

Casey Gsell, Bassoon,

3 Shades Black presents Moving Scores; a night of experimental film and music making. New films made by visual artists and composers will be screened and performed as graphic scores by Melbourne’s exciting ensemble of contemporary music specialists.

Moving Scores is taking experimental music notation and putting it in motion. We’ve taken the map and made it a GPS.

Come to the Mt Eden Community Village hall on 22/2 to hear the image and see the music!

While joining film and music is familiar, this blending of scores and film is taking a new and exciting direction in the melding of sometimes disparate creative worlds.

Graphic scores take traditional music notation and remove the rules. The stave lines and clefs have as much meaning as the note heads themselves. These scores, which are art in themselves, are traditionally static images. This show is exploring how the scores and performances will change when the scores are in motion.

John Cage said that ‘music is all around us’ and this project takes that a whole step further. Birds in flight, train tracks, the detail on the back pocket of your jeans, an ultrasound, a sunrise. These are all images we know in one context, and would be given a whole new outlook by being read as a score.
Film makers and Composers have created short moving scores, which will be projected so the audience will be able to see the scores and the ensemble, and see the music as it happens.

Visual artists, Composers and performers have different concepts of “structure”, and the juxtaposition of the art forms will lead to some unexpected interpretations. While the musical approach to each piece is discussed and rehearsed by the ensemble, there is always room for interpretation, and no two performances are the same.

Meet the Composers – Alan Lee

Alan Lee

Alan is a policy analyst by day and musician by night with bents on the side including graphic design and sustainability.

Trained from a young age in piano and later trombone, he has worked since the mid-90s as an instrumentalist, composer and musical coach with diverse soloists and ensembles from children to adults.

His output includes a chamber opera staged at Melbourne Museum, works performed by Melbourne Symphony, Orchestra Victoria, Duo Sol, Song Company and Speak Percussion as well as film and theatre music. Most recently he staged a concert of Australian music and images in a 14th century Chinese temple as part of the Year of Australian Culture in China.

In addition to a Bachelor of Music, he holds a Bachelor of Arts from the University of Melbourne and an interdisciplinary Masters from ANU. Since 2010 he has been based in Beijing where he works on climate change programs. http://alandavidlee.wordpress.com

Alisa Willis

New Zealand flutist Alisa Willis is an active freelancer in NZ and Australia with a long-held interest in new music and free improvisation. Having studied in the USA, Germany and NZ with John Wion, Janet Arms, Robert Aitken and Uwe Grodd, she has performed with the new music ensembles Karlheinz Company, VorEcho, Chronophonie and Aleantoric 5. Alisa performs regularly with the New Zealand Symphony and Auckland Philharmonia Orchestras and has just finished touring Australia with OzOpera. She loves words, spoonerisms and puns.

Bettina Crimmins

Bettina’s performing habits suggest she’s leading a double life: For the last few years she has been thoroughly enjoying travelling in order to play with the Queensland, Tasmanian, Adelaide, Christchurch and Singapore Symphony Orchestras as well as Orchestra Victoria as an orchestral oboist.

What many might not know about is her passion and obsession for New Music. While living in Germany, Bettina performed with regularly with new music ensembles including Ensemble Modern and ensemble chronophonie in many of the world’s finest concert houses, including the Lincoln Centre, Barbican Centre and Konzerthaus Berlin.

Bettina studied in Germany with renowned oboists Heinz Holliger and Hans Elhorst with the assistance of a German Government scholarship. Prior to this she completed a B.Mus.(Hons) under tutelage of David Nuttall. She is hoping the thesis she recently submitted is good enough to receive a Master of Music which was undertaken with the supervision of Eve Newsome and Dr. Stephen Emmerson.

Bettina is also a highly experienced and dedicated teacher and loves introducing her students (gently) to the world of experimental music.

Adam SImmons

Adam is a composer and multi-instrumentalist, having been involved across many different scenes within Melbourne and beyond since 1990. In 2004, Adam received a Special Award from the Freedman Foundation. For the 2006 Melbourne Fringe Festival, a special Retrospective of Adam’s work was held – featuring over 200 musicians in 40 configurations over three weeks. Musicians Adam has worked with include: Ernest Ranglin, Nigel Kennedy, Peter Brotzmann, Odean Pope, The Mavis’s and CW Stoneking.

Current ensembles include: Adam Simmons Toy Band, Adam Simmons Quartet, Origami, New Blood, Nick Tsiavos Ensemble, BOLT Ensemble, Embers, Tania Bosak’s Beijao, Steve Purcell’s Pearly Shells, Big Fela, and Collider.

Adam is releasing the debut CD for his new project, Origami, on Oct 13 at Northcote Uniting Church.

Invited to participate in the collaborative exhibition “SMS – Szczecin/Melbourne/Szczecin” by artist and friend, Jarek Wojcik, Adam was encouraged to present something very different to his musical performances. In response to this Adam developed the idea of his music box assemblages, drawing from his musical aspirations and aesthetic sense to inform a more physical form of expression. As a visual artist, Adam has been in several group shows since Oct 2009, with his debut solo exhibition at Catherine Asquith Gallery in July 2010. Adam’s work has just been selected as a finalist for both the Hutchins Art Prize and the Deakin Small Sculpture Award.

Tower of Babel (selected for 2010 Woollahra Small Sculpture Prize)

Interview – The Music Show – ABC Radio National

Naima Fine

Naima Fine

Naima Fine Fine studied composition at Qld Conservatorium and has an Honours degree in ecology. She’s a 5th+ generation musician: her grandma Joanne Fine was accepted to the London Academy of Music alongside Joan Sutherland and Don Burrows, but couldn’t take it up because they didn’t let married women study there. Naima’s favourite instruments to write music on are old family pianos.

Naima’s creative practice embraces composition, ecology, and activism. She works across artforms, explores multi-media processes and outcomes, collaborates on performing arts projects – especially circus and theatre, and occasionally produces her own concerts.

Naima has a work being premiered in L.A. straight after Homophonic! 2019 and is doing sound design for Sydney Mardi Gras’s upcoming sold-out theatre production, The Bed Party.

She recently finished Tilde New Music Festival’s inaugural residency and a Screenworks/APRA screen composing mentorship, and has a work being published in Routledge Press’s The Digital Score: Musicianship, Creativity, and Innovation. In 2018 her work won Open Circuit Interactive Traces concert Audience Favourite Award (U.K.).

Naima’s music has been performed and exhibited in shows, concerts and festivals across Australia, New Zealand, The U.K., China, and the U.S., including at Melbourne Fringe Festival, Melbourne Midsumma Festival, Moreland Summer Art Exhibition, Auckland Fringe Festival, Liverpool UK’s Open Circuit Festival, Sydney Mardi Gras.

Naima lives on sovereign Kulin nations land in so-called “Melbourne”. She loves queer feminist sci-fi novels, queercore punk, bicycling, and playing in Riff Raff Radical Marching Band.

 

 

 

 

 

 

 

 

 

 

Daniel Armstrong

Daniel Armstrong is a photo-media / installation artist and tertiary lecturer. His current research explores relationships between photography and astronomy with a specific interest in how scientific imaging both falters and succeeds at the edge of representation and relationships of the body to space and visualisation of the cosmos. He is also interested in the historical relationships between photography and astronomy, the lens and the telescope and the cultural and philosophical implications of these relationships.

In 2010 he composed and performed a series of installations for light, stained glass architecture and classical guitar; titled Sacred Heart; as part of the In Situ Inhabit project at the Abbotsford Convent.

In 2009 he undertook an Australia Council residency at the Lowell Astronomical Observatory in Flagstaff, Arizona.
It was during this residency that his moving score was derived.

He lives in the rural Victoria where he spends his nights imaging the dark skies with homemade, primitive cameras and telescopes. He is currently undertaking a fine art PhD titled, The Heavens and The Heartbeat at RMIT University.

Ed Ferris

Musician, composer, actor and author. Ed Ferris is versatility. After completing a Bachelor of Music, majoring in clarinet performance, in 2009, Ed is now completing a Bachelor of Creative Arts at the University of Melbourne.

Ed is a founding member of the ‘Tea-tree-oh’ trio; exponents of contemporary Australian compositions and has given many world premier performances with the group.

Former Principal Clarinet with the Royal Melbourne Philharmonic Orchestra, Ed now divides his time between teaching, playing with his gypsy-folk band ‘Eyal & the Skeleton Crew’ and writing.

In 2012, Ed is hoping to continue clarinet studies at home or abroad and to release his first short story collection ‘ Cat and Mouse’ through University of Melbourne press.