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Nat Grant is a percussionist, sound artist, composer and teacher. She works predominantly as a freelance artist and has been employed as a composer and performer in the fields of puppetry, theatre, film, animation, and dance.

Nat holds a PhD in music composition from the Victorian College of the Arts (University of Melbourne). She performs regularly at venues around Melbourne, and is frequently engaged in projects and performances that invite her audience to be part of the process or realisation of an artwork.

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Belinda is an improvising musician/composer living in Melbourne, Australia. A PhD graduate of the VCA (Melbourne University), Belinda was awarded a 2015 Creative Victoria Scholarship for excellence in her field, was a recipient of an APA from 2011-2013 and a finalist in the 2011 APRA Professional Development Awards. Artistic director of the Make It Up Club from 1993 – 2007, and Project Manager for the Click Clack Project and Jolt Arts 2010-2016, Belinda has played a major role in supporting and enhancing the development of the Melbourne music scene.

Predominantly a flautist, Belinda performs in many ensembles including Bohjass and the BOLT Ensemble as well as her own groups Lo-Res and Saveja. As a soloist Belinda has developed an array of extended techniques which she utilises in performances as an improviser and an interpreter of music. She has been invited to perform in Festivals across Australia, Japan and Europe as well as independently curated events across Australia.

http://www.belindawoods.com.au

 

JohnWerekta.jpgJOHN WERETKA has appeared in festivals and concerts throughout Australia, New Zealand and the United Kingdom as a singer and player of the viola da gamba. As a singer, his performance credits include appearances in the Melbourne International Festival, the Autumn Music Festival/Melbourne International Festival of Organ and Harpsichord, the Organs of the Ballarat Goldfields Festival, the Four Winds Festival and the Castlemaine State Festival.
He has appeared with groups including e21, Ensemble Gombert, The Palestrina Project, The Choir of Newman College, The Consort of Melbourne and Gloriana. As a soloist, he has appeared in works as diverse as the Vespers of Monteverdi and Handel, several large-scale works of Marc-Antoine Charpentier including the Te Deum, Bach’s Mass, St Matthew Passion and St John Passion and many others.
He is a specialist in early music generally and in music of the medieval period in particular. John studied the viola da gamba under Ruth Wilkinson and Laura Vaughan and has participated in masterclasses led by Susie Napper and Margaret Little, Asako Morikawa, Brent Wissick, Julie Jeffrey and Joëlle Morton. He has been the Director of the Chapel Choir of Queen’s College at the University of Melbourne since 2013.
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Come on in!

Oh gosh! It’s that time of year again! Homophonic is back for it’s 5th amazing year.

We’re thrilled to be back again at La Mama theatre in Carlton, and have been feverishly researching amazing queer composers for your listening pleasure.

Book tickets here!

Featuring works by:

Samuel Barber, Lou Harrison, Naima Fine, Benjamin Britten, Kryztina Eira, Billy Strayhorn and more…

Performed by:

Benjamin Anderson, Andrew Collyer, Scott Dundson, Nat GrantMiranda Hill, Steven Hodgson, Gemma HorburyMatthew Horsley, Mark Leece, Kaylie Melville, Jennifer Mills, Ben Opie, Ben Owen, Ian Travers,  Hamish Upton, John Werekta, Belinda Woods,

Feb 1st and 2nd (That’s a monday and tuesday night! You can’t possibly be double booked!)

You are invited to the first performance of works created by Miranda Hill and Naima Fine while in residence at Lijiang Studio, as part of the Melbourne Fringe Festival.

Lashihai

Lashihai

 

Featuring work by Miranda Hill, Jennifer Torrence, Naima Fine.

Escape the bright city lights and come with us to the mountains of Yunnan. The white walls of Conduit Arts will be transformed into the mountains and memories of the Naxi people of Lashihai.

This new cross-media graphic score by Miranda Hill explores the melodies of family and natural histories; taking an ancient language and reinterpreting it through new musical expression.

FānYìShān translates the spoken languages of Lijiang into a musical language. It takes the natural melody of tonal languages and joyous inflection of storytelling, and sets them against the imposing mountainous horizon.

This work explores the intricacy of meaning, of what’s gained and lost in the act of translation, of languages not taught in schools and a culture fighting assimilation. It tells a story of lived history, of a changing landscape, and a grandparent’s love.

Performed by:

October 2nd:

Miranda Hill; Belinda Woods; Karen Heath; Matthew Horsely.

October 3rd:

Ben Opie; Lizzy Welsh; Deborah Kayser; Miranda Hill.

Tickets here, or at the door.

Lijiang Studio!

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Lashihai at dawn.

Miranda and Naima are currently living in Yunnan, China, as artists in residence at Lijiang Studio.

You can keep up to date with all their exploits and adventures here!

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Katherine Norman is a Soprano with over 17 year’s ensemble experience, including four European Concert Tours, several recordings and numerous live concert broadcasts presented by ABC Classic FM.

An Early Sacred & Bach specialist whose repertoire also includes modern composition, Katherine is an accomplished Soloist & blended ensemble singer.
Career Highlights include Soprano Soloist for the much-loved and vocally demanding Allegri Miserere, Mozart’s Requiem, and the Pergolesi Stabat Mater, presenting the world Premiere of Hodgson Lamentations, and performing in three separate years of the annual Melbourne Festival. Notable collaborations have included performances with the Tallis Scholars, Warren Trevelyan-Jones, Steven Layton & Jeremy Summerly.

Katherine regularly performs in Melbourne, most frequently with the Consort of Melbourne (www.thecom.com.au)

Backstage passes

New music is always a very serious undertaking.

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Scott Dunsdon has previously sung with Newman College Choir, and was also the founding artistic director of the University of Melbourne Music Theatre Association (UMMTA). He’s also appeared on stage in various musicals and orchestras (as a bassoonist), and off stage as a theatre director.

Jenny Barnes (born Adelaide, Australia, 1981) is a vocalist, performer and video maker based in Melbourne. Barnes achieved a Masters Degree in Applied Linguistics and a Bachelor of Music in Jazz Performance and has studied under the tutelage of predominant vocalists in New York City, Lisboa, Berlin and Oslo. Barnes has travelled extensively throughout rural Australia, Western Europe and Scandinavia gathering fuel for her work into the musicality of language and she is currently undertaking formal study of AUSLAN. Jennyʼs work has featured alongside that of Meredith Monk (USA), Jaap Blonk (Netherlands), Fatima Miranda (Spain) and Amanda Stewart (Australia) among others, in ‘Vocal Folds’ an exhibition at Melbourneʼs prestigious Gertrude Contemporary.

Barnes examines and mimics field recordings of Arctic mammals and domestic pets to achieve an extensive and diverse vocal capacity. Barnes then studies the rhythmic cadences and pitch modulations of human languages and applies her findings to an improvisatory musical context.